Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Sir David Wilkie
Chelsea Pensioners Reading the Gazette of the Battle of Waterloo

ID: 28151

Sir David Wilkie Chelsea Pensioners Reading the Gazette of the Battle of Waterloo
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Sir David Wilkie Chelsea Pensioners Reading the Gazette of the Battle of Waterloo


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Sir David Wilkie

1785-1841 British Sir David Wilkie Galleries Wilkie may have inherited his rectitude and tenacity, even his nervous inhibitions, from his father, the minister of his native parish. Though little responsive to schooling, he showed an early inclination towards mimicry that expressed itself in drawings, chiefly of human activity. In these he was influenced by a copy of Allan Ramsay pastoral comedy in verse, the Gentle Shepherd (1725), illustrated by David Allan in 1788. One of the few surviving examples of his early drawings represents a scene from it (c. 1797; Kirkcaldy, Fife, Mus. A.G.). Wilkie cherished the demotic spirit of this book and its illustrations throughout his life.  Related Paintings of Sir David Wilkie :. | Chelsea Pensioners Reading the Gazette of the Battle of Waterloo | Sir David Wilkie flattering portrait of the kilted King George IV for the Visit of King George IV to Scotland, with lighting chosen to tone down the b | The Penny Wedding (mk25) | mme morel de tangry and her daughters | Chelsea Pensioners Reading the Waterloo Dispatch |
Related Artists:
Carl Jutz
German, 1838-1916
George Arnull
British,active 1825-1838
Charles Francois Daubigny
b Feb. 15, 1817, Paris, France d.Feb. 19, 1878, Paris French 78, French landscape painter. He went to Italy early in life and later studied in Paris with Paul Delaroche. Although usually classed with the Barbizon school, he never lived in Barbizon. His last 30 years were spent largely in his houseboat on the Seine and the Oise, and he is best known for his pictures of the banks of those rivers. He was particularly successful in his atmospheric depiction of dawn, twilight, and moonlight. His later pictures are handled with great breadth. Monet and Boudin were especially attentive to his work. Daubigny is well represented in the Louvre, the Mesdag Museum (The Hague), the National Gallery (London), and the Metropolitan Museum. Characteristic are his Return of the Flock??Moonlight, Banks of the Oise, and Moonlight. His son Karl Pierre Daubigny, 1846?C86, painted in his father manner.






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